Artwork by Series
Last Updated: April 14, 2024
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Series (click on title or image for link) | Where Exhibited | ||
The Space Between |
Arc Gallery, San Fransisco 2024 | ||
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Vicissitude Time is eternal and everything is gradually covered by the earth.
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Saskatoon Symphony Orchestra, Saskatoon, SK 2023 Weyburn Art Gallery, Weyburn, SK 2023
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Livres Rares and Arts Graphique - Paris 2023 IFPDA Fine Art Print Fair - New York 2023 Musée des métiers d’art du Québec - Montreal, 2023 Bibliothèque et Archives nationales du Québec (BAnQ), Montreal, 2023 Biennale internationale d’estampe contemporaine de Trois-Rivières, 2023 Presentation at the Bibliothèque de l’UQTR (University de Trois-Rivières, Salon Alexis Klimov - 2023 |
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An Ocean of Plastic | |||
Slow Emergencies |
Unyielding Earth - Espernato Gallery, Snelgroave Gallery, UofS, Saskatoon (group exhibition) Momentum, The Gallery Frances Morrison (group exhibition) |
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Tread Softly | Wanuskewin - 2023 | ||
the silencing of women is so loud the silencing of women is so loud – Jasmin Thomas |
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annus mirabilis |
Art Gallery of St Albert, St Albert, AB 2023 Gallery 501, Sherwood Park, AB 2023 Gallery 2, Grand Forks, BC 2022 Prairie Fusion, Portage la Prairie, MB 2021 Okotoks Art Gallery, Okotoks, AB 2022 Seymour Art Gallery, North Vancouver 2021 |
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Guilded Butterflies So we'll live, Look how beautiful, glamourous, fun, happy, balanced, zen, successful, rich, valued…. I am. Social media the gilded butterfly of our time, when “likes” became a plural noun. Only the best view, best composition, best “reflection” of who we are appears on social media and the “likes” do seem to matter, social media masquerades as objectivity. When does filter and fact become blurred? When does the footnote of a photo, become the subtitle and when is
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Banana Republic Factory Store, Sasaktoon, 2021 |
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The Pebble Does Not Know the Ripple it Leaves on the Pond We all make a difference in this world, especially at a time like this. One person not following the isolation guidelines can cause a ripple in the world pond. One person affecting others they don’t even know. During lockdown, I created a “Pebble in a pond” silkscreen and added one colour a day to the image of the pond. |
California Society of Printmakers 2021 | ||
Pebble in a Pond - Covid19 Lockdown | Saskatchewan Craft Council | ||
Foundation of Gratefulness In the face of life’s challenges, it is sometimes hard to stay positive, see the light at the end of the tunnel and to feel grateful. The hedonic treadmill of life makes even the joy of getting through a difficult time short lived. The world moves at an alarming pace pushing gratitude and introspection to the side. |
Saskatchewan Craft Council | ||
Changes in the Water | Athens, Greece | ||
Fragile Times | Gallery 1313, Toronto | ||
Ananta
Time is ever changing, uncontrollable, influential and affects everything on this planet. It is a personal measure with which we align ourselves with everything else; people, projects, landscape, climate, advancement, achievement, history. The present is an elusive destination as the passing of each moment subtracts time from our lives. We can’t describe “now” because “now” is the past immediately after it arrives. This makes it very difficult to look at something now and predict accurately how it may grow in the future. Time gains its value in its infinitude. Time never ends, it never began. No clock started at the moment life began and no clock will stop if life on earth stopped. Each year is one trip around the sun. Thousands of futures are possible in that time frame. One split second can decide an outcome. Time is a rigid bonelike structure, fossilizing the future. |
Cava Gallery, Edmonton, 2022 | ||
Friendship Tulip | Ottawa, 2017 | ||
Today and Tomorrow It is about the simplicity of childhood, how thoughts are only about today and not focused on tomorrow, about the rewards of simplicity and living in the moment for a time, and how children can suspend time, place and space to create worlds apart. For a child, a day is a large fraction of their lifetime, whereas when we age, each day becomes a smaller and smaller fraction, causing us to rush and try to fit more into that limited splice of time. The foreshortened view creates the perspective that the front of the piece is our childhood, where the object of our focus takes up the whole frame of reference, and the further we venture in our lives, objects that once took up our whole interest become smaller and less significant. |
Ottawa School of Art, 2018 Hague Gallery, 2018 |
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Conversations with my Closet | |||
Serotiny Serotiny, nature's breathturn. Fire has been a natural part of our boreal forest ecosystem for thousands of years, yet we’ve chosen to suppress forest fires so that we can maintain our values of visiting, living and working in the forest. There are limits to our suppression as evidenced each year as the news cycle focuses on climate change and the "right" conditions for fire, resulting in the tragedy and loss of millions of hectares of trees, homes and leisure spots destroyed, and the displacement of thousands of people. The land that might have been, is suppressed; humans stop it from completely being self-sustaining and deadfall enters the forest floor awaiting the change that only fire can bring. Forests manage themselves; the power of the trees is stronger than the power of humans. The silence of progress, is as loud as the roar of the fire. If you suppress forest fires enough will they go silent or does it create an imbalance that in a breathturn changes everything around it creating a larger more destructive force? From tragedy, a new truth can be found and possibly new ways of managing forests and human needs within them. The rebirth of a forest begins from hot and unpredictable environmental trigger, like the seed pressed inside a pinecone awaiting the opening and release. Seeds rest silently waiting their turn in the spiral of regrowth, the spiral reflected in the spirals on pinecone and small plants seed pods. Life is on loop, renewing, changing and evolving with each breathturn, like the Möbius strip life is linked in an ever-connected series of renewals. Context is everything in the relationship between man and nature in this complex interplay between the two. |
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SWAG - Saskatchewan Wearable Art Gala | |||
Love Letter Bench The touching through handwriting, pen and paper across a distance, |
Castlegar, BC 2017-18 | ||
Hiraeth Hiraeth (pronounced [hiraɪ̯θ][1]) Hiraeth is a longing for the homeland, but it is not mere homesickness. It is the bond felt for one’s home country when away from it. It can also be an intense longing for a home you can’t return to, or the sense of despair for not being able to connect to a home. Current events in Canada today, namely the Truth and Reconciliation Commission and the Refugee Crisis, created the flashpoint of creation for these hand-made parcels. |
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Context is Everything
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Estevan Art Gallery and Museum - 2020 Worksfest, Edmonton, AB (6 locations)- 2020 Guelph Museums, Art Activisn and Truth, Guelph, ON - 2019 Museum of Printing (with Boston Printmakers), Haverill, MA - 2019 #bejane, Vienna, Austria - 2019 Breaching Margins, Urban Institute of Contemporary Art, Grand Rapids, MI, USA - 2019 Print in Place - Gallery Steel Rooms, Briggs, North Lincolnshire, UK 2019 Southern Graphics Council International (with Boston Printmakers), Dallas TX - 2019 Women's Art Museum of Canada- Edmonton, AB - 2018 Dimensions Touring Exhibition, Saskatchewan Craft Council, 2017-18 |
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Slow Emergency Her installation at this year’s show addresses an important, if publicly under-acknowledged environmental catastrophe. The loss of bees through colony collapse, disease and habitat degradation is biologically significant, the slow emergency of her title. |
Saskatoon, Nuit Blanche 2017
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An Apple A Day Have humans always searched for something to make them live longer? The current health trends are herbal supplements,antioxidant foods or power foods that will cure us and keep us living long. “An Apple a Day keeps the doctor away” the familiar phrase, is a simple solution. The apple is probably the first nutritional and health advice we received from society, however there is no single food that has magical health properties. When did eating healthy become so much more complicated than just an apple a day? |
Women's Art Museum of Canada, Edmonton 2016
Cube Gallery, Ottawa |
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Paraph
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Saskatchewan Craft Council 2018 Castlegar, BC |
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Nidificate
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Peter Gray Museum, Galerias Vallarta, Vallarta Botanical Garde, Mexico 2016 Bellini Editions, Print Art Research Center, Seoul, Korea 2017 Art Vancouver, Art Fair 2017 Cotuit Arts Center, Cotuit, MA 2017
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Continuous As humans, as animals, we are here to procreate, just like the bees. Humans fill the remainder with goals, dreams and experiences far beyond procreation. Is denying procreation counter intuitive, or is it a survival strategy just like the 1000’s of bees in the hive that do not reproduce? For bees it is about survival of the species, for humans it is so much more than just survival. There exists a cycle where one goal ends and another begins, one dream dies and another begins. Is goal setting an instinctual process or is it programmed due to experiences? Are we forced biologically to look for a new way when the old one is either completed or impossible? One bee begins where another left off, moving on instinct, awareness so engrained that the same activities, reactions and cycles occur for centuries.
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CAVA Centre d'arts visuels de l'Alberta - Edmonton - 2020
Ottawa School of Art - Ottawa, ON
Humboldt Art Gallery - Humboldt, SK - 2018 Strasbourg Museum - Strasbourg, SK - 2018 Art Gallery of Grande Prairie - Grande Prairie Art Gallery - 2018 Artpoint Gallery - Calgary, AB - 2018 Sask Craft Council - Saskatoon, SK- 2016 Okotoks Art Gallery - Okotoks, AB- 2015 Kootenay Art Gallery - Castlegar, BC- 2015
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Paper Princess - Sask Wearable Art Gala | |||
Prairie Lines | |||
This piece is made up of 15 Möbius strips (the never-ending band) of varying lengths that fit together as a sculpture. The life of an artist is never-ending because the artwork lives on when the artist dies. The piece was inspired by the death of a Canadian artist, Jeannie Thib. The Möbius strips are printed front and back with patterns that link together. Much of my recent work has to deal with links and interconnectedness.. |
Lamont Gallery, Exeter,New Hampshire 2016 St Thomas More Gallery, UofS Saskatoon, 2016 New York _International Print Center New York - 2015 Open Studio Contemporary Print Gll |
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Inspired by the work Im Walde by Max Klinger, or being in a forest in the fall, makes me awe in the work of birds. Working on these prints while living in France, I watched an entire area of forest on the outskirts of Paris cleared. Each day more and more trees were felled. Birds that had so carefully built and planned their nests would have to start again. It was sad for me—as humans we dislike starting over and beginning again. A mining company in Saskatoon shut down and were throwing out old maps. The damage to the birds’ environment was inspiration for using the maps. Their topographical lines look like the rhythmic and intentional patterns of a bird nest.. |
Saskatchewan Arts Board - Permanent Collection (3 pieces) 2016 McMaster Museum of Art - Hamilton, ON 2016 Cube Gallery, Ottawa, ON, Canada | ||
We are all linked through relationships, the environment, our community and our past experiences. The interlinked hexagons are a symbol of this linkage, specifically the linkage to the environment, and more specifically bees and the recent problem of colony collapse The environment functions in a absolute way so that the loss of one link creates a huge problem. As wind and weather play a part in this exhibition one important link may break causing the entire cluster to fall to the ground. This is an ephemeral ever changing exhibition, each link is only as strong as the one next to it, the same as our environment.
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Saskatoon -Meewasin Vallery Trail, from Mendel Art Gallery to Meewasin Valley Centre-2014/2015 Renzo PiRenzo Piano’s Auditorium Parco della Musicaano’s - Rome - 2014 |
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To be an award winner takes money. Not just the horse races but also any sort of athletics or career. Success is for sale in this time in history, major athletes are buying various performance enhancing drugs, bribing judges, This series replicates a store shelf but “success” is for sale. It is for sale for all those suffering from Affluenza,
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Touring 2014-18
Sask Craft Council 2014 |
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Cat Tails/Tales Monique Martin |
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The wanting of more and more is of epidemic proportions in this current time in history. A family’s debt load can become something that will never end, with spending in some countries at 160 percent of their wage. The abundance of choices in objects when shopping makes the Affluenza epidemic affect everyone, even a cautious consumer has the number of choices and range of styles which can be mind-boggling and time consuming. The choices and the multiples are explored in this piece with the paper doll having a very large selection of clothing, accessories and gadgets in her life. When do we know that we have enough?
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Sandy Gallery, Portland, OR UnivrTacoma, WA, USA 2015 |
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The nest is used as a metaphor for our own home in a number of ways: investments, capital, parents. Due to the fact that it takes money to have a home and raise a family, it is no surprise that people use the term “nest egg” to describe their investments and capital. The common phrase empty nesters describes the situation when the children have left the home, and the parents now have more freedoms, either in terms of time or money. It may result in an improved financial situation due to the fact that there are no children to take care of. |
Paris 2013 | ||
The nest is used as a metaphor for our own home in a number of ways: investments, capital, parents. Due to the fact that it takes money to have a home and raise a family, it is no surprise that people use the term “nest egg” to describe their investments and capital. The common phrase empty nesters describes the situation when the children have left the home, and the parents now have more freedoms, either in terms of time or money. It may result in an improved financial situation due to the fact that there are no children to take care of. |
Disneyland Paris 2013 | ||
Using bees as the subject, the works explore the fragile nature of existence, the interplay between humans and small creatures, and the communication patterns of our world. The large-scale prints explore the relationships within the hives and how those relationships mimic and contradict those in the human population. The cyclical nature of both bee and human populations is represented through the sequential nature of the artwork. The newly recognised loss of bee populations is commented on through the artwork as well as the historical links bees have with humans.
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Collaborations (Monique Martin and Cathryn Miller)
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Butterflies | |||
Paraph | Open Studio Toronto, ON 2015 | ||
365 days of coffee |
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Affinity Gallery, Potash Corp Children's Festival, Market Mall Studio 2012 |
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This was a special exhibition for me as it was the first time that I had exhibited with my grown son Trint Thomas. He has an photographic eye that is special and unique. |
West Vancouver Library, West Vancouver, BC | ||
Museum of Antiquities University of Saskatchewan March 2012 Selected pieces: Gallery, Frances Morrison Library, August 2012 |
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Living Inside and Outside the Box | Works in Progress Rouge Gallery, 2011 |
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The nest is used as a metaphor for our own home in a number of ways: investments, capital, parents. Due to the fact that it takes money to have a home and raise a family, it is no surprise that people use the term “nest egg” to describe their investments and capital. The common phrase empty nesters describes the situation when the children have left the home, and the parents now have more freedoms, either in terms of time or money. It may result in an improved financial situation due to the fact that there are no children to take care of. |
Affinity Gallery - Saskatchewan Craft Council - April 2012 To be showcased at Saskatchewan Children's Festival June 2012 Rouge Gallery - May/June 2012 Godfrey Dean Gallery - Yorkton, 2013 Ferry Building Gallery, North Vancouver Meewasin Valley Center Gallery, 2013 |
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This series is influenced by Shakespeare, Michel de Montaigne and each book page I have ever turned. The turning of pages is important in this exhibition. With the new technology making the turning of pages obsolete, are libraries going to become obsolete as well. The silent study spaces, will they too become permanently silenced? Will the return slot lose the sound of sliding books forever?
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The Gallery, Frances Morrison Library, Saskatoon, July 2012 Godfrey Dean Gallery - Yorkton, 2013 |
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Daimon
Tulip bulbs are used to represent an attendant spirit, a genius in this series; daimon. The word daimon derived from the Greek language and represents the positive aspects in the culture of demons. Demons were considered intermediaries between the gods and humans. Each person possesses an inner image of completeness, an essence, just like a tulip bulb holds within it the essence of the flower it will be. Subtle intimations from within mark our true destiny and reveal our true selves. People, like bulbs, are developing, growing, changing even if we don’t see it. Each day brings subtle changes that push a person into new directions and challenges just like the bulb reaching upward to the sky. |
Affinity Gallery, Saskatoon, July 2011 | ||
Concertina Sketchbooks | Gallery, Frances Morrison Branch Library August 2012 |
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Crossroads, Pathways and Intersections The only thing that we can be certain of in life is change. We are constantly faced with crossroads, pathways and intersections, some large and some small. It is in facing these changes that we can feel fear. This fear may not be of the change but rather of something else that we don’t want to address. Fear can make us mute and immobile forever. Crossroads make us feel feather light in their freedom and at the same time lead heavy in uncertainty. It is in a farewell of one path that we part with ourselves under the watchful eye of another. This watchful eye of another causes second guessing and a pulling back of certitude. |
Rouge Gallery | ||
There are some experiences that are too big for humans: pain, furious loneliness, death, beauty, and happiness. This series explores the potion that took the lives of Romeo and Juliet. The artwork displays jars that were found objects and are labelled with quotations from the play. It is unknown what they contain. The unsuspecting lovers trusted a jar with their lives. The contents were unknown, and it was foolhardy to consume it. |
The Gallery, Frances Morrison Library July , 2012 | ||
Intimacy based on subtle nuances, shared history, collective memory and innate understanding of another’s thoughts is imperious in its very nature. The “imperious” and special intimacy that can only be gained through time and intimate knowledge of another is interesting in its energy. Is the trip to becoming intimate with another ever over, or is it a never-ending cycle of getting to know a new person as they grow and change? Is the soul a place of facts? Or is it a shadow of the day before and the day before that??? Is there an invisible existing reality in each of us??? Our own souls as intimate and entangled as they are with us the person may not even be clearly definable or understandable to us. It is doubtful that the soul and spirit is a place of facts and this series explores that concept with text and birds on a wire. We perch on the wire of our own understanding of our own personal imperious intimacy and with the intimacy of those around us ready to take flight to the next level of understanding when ready.
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Rouge Gallery - Saskatoon, 2010 | ||
We submit to a type of death when gazing upon that which we should
not. Just as when we hold a secret we submit to a type of death
because it is in the holding of the secret that ours live are forever
altered and true freedom can never be attained. Nothing goes away and
all changes with secrets. |
Cube Gallery, Ottawa 2017 |
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Princess | |||
Transparency
the place where
the things you can’t fully remember and what you can’t forget collide
in an
awakening, and where the intersection of years brings you to clarity of
moment,
when the mirror of transparency appears, a personal transparency, where
all is
clear, understood and felt. Transparencies, when the one in the mirror
and the
one reflected are the same .
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Cube Gallery, Ottawa 2017 |
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In Italy, there is a
practice among lovers to
connect a lock on a bridge and toss the keys in the water. Once the lock is secured, the keys are tossed
in the water, never to be retrieved. This promise of love begs a question. Can a relationship remain as constant and strong as this lock on
a
bridge? |
Rouge Gallery -Saskatoon Feb 2011 |
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Does our essence determine
how we enter the
game? |
Rouge Gallery -Saskatoon, 2009 Faculty Club - Saskatoon, 2007 |
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Using the fish to
explore the concept of flow is
a natural link. The collective
effervescence of fish moving together belonging to a group with
concrete real
existence is symbolic of humans absorbed in a task. As humans we are most satisfied when we do something for the
action itself rather than for some other motive. |
National Printmaking Awards, Toronto, May 2011 The Gallery- Frances Morrison Library, Saskatoon 2009 Meewasin Valley Center - Saskatoon, 2009 |
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Dangling Carrots - Fame, Fortune or Happiness The deliberate deception may encourage forward progress of an animal, but is unlikely to work for very long in the real world. Humans in search of fame, fortune and happiness will chase a transparent dangling carrot that is seen by no one but the pursuer. To reach fame, fortune or happiness, the mirage that is constructed in the mind of the aspiring individual will block out enough of reality to overcome obstacles to the goal. There is no concrete definition of “making it”, each person’s defining moment of “making it” is different. Fame, fortune and happiness are never fully attained in all people’s eyes. Each person reaches for his own dangling carrot, which is a completely intangible and sometimes illogical destination. What is duplicity to some may be satisfaction for others. It may be necessary to continue to chase more elaborate and new dangling carrots in order to continue to strive and not stagnate as a person both spiritually and physically. |
Mackenzie Art Gallery - Regina, 2008 Saskatchewan Craft Council Gallery, Saskaton, 2009 Art Gallery of Swift Current, 2009 Chapel Gallery, North Battleford, 2009 Barr Colonly Heritage and Cultural Center, Lloydminster, AB, 2009 E. A. Rawlinson Center for the Arts, PRince Albert, SK, 2009 |
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The
tulip
provides an artistic way of exploring various
types of touch, and the impact that touching has on our lives. A
touch can give us a concentrated sense of life, an energy transfer like
nothing
else can. The touching of souls, minds or hearts that are seeking
contact
with another is life altering. |
Rouge Gallery -Saskatoon Spring 2011 |
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This series explores connections in my own world from the wisdom of a
professor, to the innocence of a child that I teach each person changes
who I am and who I will become. The unconditional acceptance of a
person allows a connection or a common thread of interest to grow and
to become a strong bond and time and distance does not sever. |
Rouge Gallery -Saskatoon, 2008 | ||
There
is a trust in some people that blurs differences and
blinds prejudice. Humankind pauses and looks in before entering, as
though
trust has been lost from natural design. Windows provide distance and a
perceived involvement, yet the viewers do not know what the situation
is until
they participate fully. |
Centre Galleries, Saskatoon, 2007 | ||
English Florist Tulips | Yorkshire Sculpture Park - Wakefield, England, 2006 | ||
Many times in life we try to trap or hold onto
something longer than we can. We try to control scents, people, moments
and
feelings. We try to trap moments through photography and smells
through
perfume. The perfume jars are a symbol for this attempt to trap
the
scents of nature in a jar to use later. When that bottle is
opened and
the perfumed is applied, the scent is lost to the air. |
Vallauris, France 2006 Rouge Gallery - Saskatoon, 2010 |
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Monique uses tulips, a common flower to represent human emotions, from the fragile to the ferocious. Fields of flowers like crowds of people, often make us less aware of the individual characteristics and nuances each posseses. Each painting is ground level view focusing on a single flower among an arrangement that personifies an intense human emotion. As in a family, everyone appears similar yet will feel, respond and experience situations in a totally unique way - in essence standing alone. |
Gallery on the Roof, Regina, 2001 Mendel Art Gallery, Saskatoon, 2001 Chapel Gallery, North Battleford, 2002 Hotel de Ville- Ottawa, 2002 Hobart, Tasmania, 2003, Mount Vernon, USA, 2003 Gatineau, QC, 2005 Nice, France 2006 Spalding, England 2007 Permanent Installation Spalding England 2008 |
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March of Time Time marches toward confluences of harmony and conflict. The shaded images in black and white represent loss of innocence through aging. The color works toward peace and a better way to handle conflict. Major events are highlighted in color, the everyday tasks blend into shades of black and white. |
Snelgrove Gallery, Saskatoon, 2003 Station Arts Center, Rosthern, 2004 Refinerary Arts and Spirit Centre, Saskatoon, 2004 Cumberland Gallery, Regina, 2005 |
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The Gallery, Frances Morrison Library, Saskatoon, 2003 | ||
There are hurts we hang on to that are
re-lived. Memories hide for a long time
and can surface again to cause new pain. The vessels in these paintings
represent human beings. People search
to understand themselves and it is their treasured hurts that have made
them
who they are or stopped them from becoming who they want to be. |
Faculty Club, U of S, 2004 | ||
To
have abundance is to recognize there is an oversupply. It is the acquisition of material goods
beyond what is needed. There are many
choices to make to fill our days and it is necessary to recognize when
enough
is enough. However, each possession
collected demands something of us and this demand is often time.
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Gatineau, Quebec 2004 | ||
Naked Soul - Working Mother The series explores a
working mother’s place in
society from conception of the child to the reality of living the
day-to-day
life of a working mother. The
exhaustion, the fear, the anger, the tension and the jealousy are part
of the
experience of the woman in the series. |
Point du Vue Cultural Center, St. Isidore, Qc 2002 Chapel Gallery, North Battleford, SK, 2002 Godfrey Dean Gallery, Yorkton, SK, 2003 |